To keep in the spirit of ‘The best camera is the one you have with you’ I thought I’d start with an iPhone shot.
I did actually take it yesterday at Westonbirt, but I did so specifically for this project.
Taken on my iPhone 4S and processed on the phone in Camera+
No external editing other than adding my watermark on export from Lightroom to Flickr.
Joined: Sat Jul 25, 2009 11:17 pm
Location: Gloucestershire, UK
Busy day today, great fun though.
I had a meeting at the Royal Society in Bath this morning so I took my camera gear and met up with some friends this afternoon to spend a couple of hours mooching around the city taking photos, see:
I’m exploring this grungy black and white stuff at the moment towards a possible project for my next RPS distinction but it wasn’t all gloom!I did meet a very friendly cat along the way, who lived on a boat – see:
Yes, I know it’s only the draft version and still very much a work-in-progress but it’s still great to see it in print.
Needs a bit more work yet as there are still a few errors in the text and I need to sort some more photos and make some illustrations for some sections but I though I’d get a few copies printed for my current training clients and to have one to scribble my notes and corrections into just like a proper author.
Really quite inspired by actually holding this in my hands. This is definitely the first of many books to come!
Watch this space..
That idea soon expanded and I realised I’m going to make a series of them!
Here then, is the first of many I’m planning to release over the next few months.
In truth it’s not quite finished yet, but i did order a few copies today of my current work-in-progress as I’ve got a couple of clients on Saturday for one-to-one training so I thought that rather than giving them tatty single sheets I’d give them the current version of the book instead.
Give it a few weeks and I’ll have a much better version ready for a proper release so watch this space!
Phew, am I glad that’s over!
I’ve got to wait for my confirmation letter from the RPS council and when that arrives I’ll stick up a page with some more details of the process. The main thing is a review of your portfolio by a panel of expert judges, which comprises five Fellows of the Royal Society.
My panel consisted of a selection of some of my recent photos. They weren’t necessarily my favourite shots, but rather a selection which I felt showed an appropriate cross-section of my skills which is quite an important requirement of the L panel.
I don’t mind admitting I was bricking it about today!
It’s mad, I’ve done all sorts of scary things over the years ranging from all the crazy martial arts competitions to dangling off cliffs and throwing myself out of planes. None of them even came close to how nervous I was about this. It didn’t help the fact that mine was the last panel assessed this morning. Each panel takes about 10-15 minutes for the assessment and there were 14 assessed before mine came up. We were coming up to lunchtime and at that point they were about 50/50 on successful recommendations. It was about 1pm so I figured they were about to have a lunch break when the distinctions manager said ‘just one more before lunch..’ and then I saw my first image go up… Gulp.. “this is it”
After the longest 15 minutes of my life the chairman announced that I was successful and they were going to recommend me for the distinction.
Cue one very happy chappy indeed.
I was really quite pleased with the feedback they gave me. They were pretty complimentary about the individual shots. The only area they had some small criticism was in the layout of the panel itself (i.e. which image goes where) which was the main thing I’d already identified as a weak point and so I was very happy that I was clearly thinking on the right lines and the actual quality of my photography was up to standard. Interestingly, the one shot I thought was a bit weak was picked out as one they really liked!
[button link=”http://www.richardolpin.co.uk/my-lrps-panel/” color=”#000040″ text=”light”]View my successful LRPS panel[/button]
Nerves aside, it was a great experience and I’ve learned a huge amount from the panels I’ve seen over the past year or so and it’s given me a lot to think about for the future.
So, what’s next on the agenda?
Well the next step up the RPS ladder is the Associate level Distinction. I’ve got a lot to learn before I’m up to that standard but with what I know now I can see that’s going to be a fairly major project which is certainly going to take many months of work and hence it’s a good goal for next year. It’s a very different mentality needed for the Associateship as it’s very much more an appraisal of your personal style rather than the predominantly technical assessment for the Licentiate award. I think that I need to work on some more in-depth projects to get a feel for the area I’d like to specialise on for that one and then it will be a specific project in itself just for that panel. My early thoughts are that I may look at doing some documentary style street photography but anything’s possible. More news on that as I begin to form a plan.
Right now though I need a couple of days chillspace and to crack on with some projects for the day job! Some of that will be web-stuf for the school so I may well be blogging about them here if they’re appropriate.
Watch this space..
.. I’ve just realised it’s only three weeks to go until I’ve got to present my panel to the Royal Society!
For those who don’t already know, I’ve applied to be considered for a Royal Society distinction. Just the first level or ‘Licentiateship’ for now. This first level is a pretty thorough assessment of your technical proficiency and involves the presentation of a panel of ten images which are then scrutinised by a panel of five expert judges, all of whom are themselves Fellows of the Royal Society. *gulp* I’d love to brazen it out and say I’m not worried but to be honest I’m bricking it!
I’ve spent most of this evening trying to narrow down my final selection and it’s a lot harder than I’d thought it would be when I first applied. It’s not so much the selection of individual shots that’s hard but more the way they need to sit together as a cohesive panel..
I figure the only way I’ll really nail it is to get a lot of the candidates printed up at the size I need them and narrow them down as finished prints. So, time to melt the plastic and just go for it.
I do own a mat cutter but having found my initial experiments to be quite frustrating I’ve also decided to let the experts deal with the cutting and so I’m getting my mounts cut to size by the people at http://www.picturelizard.co.uk. Works out cheaper that way too!